horror films

Happy Friday The 13th, from me and Jason Voorhees

When it comes to horror the 80s, bathed in blood and soaked in spine-chilling screams, gave us so many classics. And Sean S. Cunningham’s Friday the 13th is certainly one of them…

And as I’m sure you all know today is Friday the 13th, so there is no better excuse to blow the dust of an old classic and give your blood a good curdling, and your bones a good chilling.

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Loaded with suspense, a classic two note horror score, and a complex (and surprising) villain it’s got everything you could want… And more!

Enjoy!

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Reflecting on what makes a Maniac

The horror genre has been, excuse the pun, butchered so much lately. As a self-confessed Horror nut I’ve been left feeling frustrated so many times over the past few years when directors have heavily relied on over-the-top gore for cheap thrills instead of crafting terror through twists you don’t see coming, characters loaded with depth and mystery, and chilling cinematography.

Maniac, is a remake of the 1980 slasher movie by William Lustig, starring Elijah Wood as a troubled and creepy mannequin store owner by day who gets his kicks by mutilating girls on the street by night. He kills and scalps girls before attaching their scalps to his own private collection of mannequins, which he then interacts with as if they were alive. So, on the surface it sounds like your average freaky, gore fest but at its core it’s so much more than that.

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Considering how much of a mad crush I’ve got on Elijah Wood, I was surprised by how much I dig him in a role where he is playing such a disturbing and unnerving character. The dialogue was stilted and eerie which certainly carved a sense of terror in me from the moment the film started and reinforced the idea that this guy was off the freakin’ rails. Big time.

Filming it almost entirely from his point of view was a genius move, as we only get to see his face as a reflection in mirrors, windows, and car doors, which ramps up the creepy factor by a few notches. Plus, as Elijah Wood is, let’s face it, totally beautiful it makes sense not to let us indulge in his beauty too much purely because it’s distracting and the last thing we want is to be attracted to him. And mirrors are a really powerful tool because they open up and explore that idea of self image and how we see ourselves compared with the facade we’re putting on for the world. So, that element of the film just rocks and I loved it. It’s not the first time I’ve ever seen this technique but it’s certainly one of the better uses of it, for sure.

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During and after watching this film I felt myself wanting to know more about Frank as I was super intrigued by his character and some of the suggestions that he was maybe dealing with a multiple personality disorder as well as clearly being traumatised by his childhood — and in particular, his relationship with his mom. He has flashbacks of some of the most pivotal moments of his upbringing that could have triggered his bloodlust and psychotic behaviour as an adult.

What I loved so much were the obvious references to Silence of the Lambs, one of the greatest Horror stories of all time, especially with its choice of music —THAT Goodbye Horses song, eurgh! — which completely transcended the film because what Silence of the Lambs does so well is lulls you with suspense and draws you in to a dark, and sinister place and that is exactly what Maniac needs. It needs for you to be captivated and terrified from the beginning so it can pummel you with fear to create that overwhelming sense of distress and anxiety, and nothing does that better than a not-so-friendly reminder of another sick lunatic who also gets his kicks from skinning his victims — albeit it for totally different reasons, but hey let’s not split hairs here.

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I won’t pretend I didn’t watch this movie purely because of Elijah Wood, but after a few seconds I completely forgot about him and was absorbed into a new, frightening world that was almost too much at times. It’s so intense, partly down to the direction, but mainly because it is gruesome and unrelenting. It’s access all areas as far as the violence goes, so if you’re squeamish this is not the movie for you. Sorry.

In the end, it is quite a tried and tested structure and without wrecking the plot I’ll just say I wasn’t satisfied or blown away with the ending but I did enjoy (if that’s the right word to use when watching a man scalp innocent women in the street) the path it took to get there. For originality and creativity I can’t fault this movie, and that’s good enough for me. It’s engrossing, and has a lot more lurking beneath the surface for you to sink your teeth into — if you can move past the (enormous amount of) blood.

Go watch it, and keep a sick bucket close by just in case!